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me:mo episode 20
◆ The Vincenzo Capirola lute manuscript. ◆ Methods of preserving music for eternity. ◆ The oldest »piano« and ornament indications in music history. ◆ What Renaissance men thought of music from the 70s. ◆ About illuminated manuscripts. |
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me:mo episode 19
◆CD review: graindelavoix’ »Portrait of the Artist as a Starved Dog« ◆ Cipriano de Rore and the Madrigal ◆ Vocal Aesthetics in Flanders, Corsica, Georgia and England ◆ Contrapuntal Polyphony & Point Perspective ◆ Titian’s style shift ◆ Lute intabulation: »Se ben il duol« |
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me:mo episode 18
◆ The cultural significance of strings. ◆ Broken strings found in Vanitas still lifes. ◆ How to deal with a broken string, Marco dall’Aquila’s »Recercar senza canto«. ◆ Tuning as a metaphorical ceremony. ◆ Why plucked strings before 1800 were mostly double. ◆ A brand new composition. |
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me:mo episode 17
◆ What Christmas means to us. ◆ – and where this feeling comes from. ◆ Piero della Francesca, Josquin Desprez, Gerard David, Arcangelo Corelli and their take on the nativity. ◆ How music transports an emotion through time. ◆ Michael Praetorius: Es ist ein Ros enstsprungen / Lo, How a Rose E'er Blooming. ◆ Some thoughts on me:mo. |
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me:mo episode 16
◆ The woes of making Early Music for a living. ◆ Giorgione & Marco dall’Aquila ◆ What was »The End of Early Music«? ◆ And why is it making a comeback? ◆ Digital Patronage: me◆mo on Patreon. |
